Quantcast
Channel: *KAZOOP !!
Viewing all 359 articles
Browse latest View live

BUSTER COVERS GALLERY - PART 5

$
0
0

There were four issues of BUSTER in October 1963. The first one featured Return of the Shrinker– a story about an evil scientist who invented a powerful ray which was capable of shrinking humans and animals to midgets. Next week the front cover was given to Black Axe– a sword-and-sorcery tale without speech balloons. In that week's episode Black Axe and his companions confronted a fierce band of Vikings and then defeated some druids. The cover of October 19 issue featured Mike Kane Gladiator– a thriller yarn about a sports reporter who was a failure at all sports until he received the help of his ancestor – a Roman Gladiator. The last front cover feature of the month was Strongbow the Mighty– a western with a fantasy twist (steaming jungle, prehistoric monsters, etc…)


As I explained in my introduction to this series HERE, I started it hoping perhaps it will attract the attention of BUSTER collectors with spare copies of the title and they’ll help me fill my few remaining gaps. Please, contact me via e-mail if you have copies to sell or swap and don’t mind shipping abroad because I am not in the UK. I have 25 – 30 spare copies from the early 60s and might help fill some of your gaps, so e-mail me for a list and details about condition. See my blogger profile for the address.

MY WANTS FOR BUSTER:
October 29, 1960
December 24, 1960
December 31, 1960
January 21, 1961
February 4, 1961
February 11, 1961
July 15, 1961
September 23, 961
December 30, 1961
June 20, 1964
July 4, 1964
July 11, 1964

BUSTER COVERS GALLERY - PART 6

$
0
0


Next up are five covers of BUSTER from November 1963. The first one features The Boy Who New Two Much– a Western about a Texan boy whose great-grandfather’s sheriff’s badge occasionally enabled him to see into the future, allowing him to prevent crimes and robberies.


Eric Bradbury who was in charge of Maxwell Hawke stories never failed to come up with a dramatic splash panel whenever he was asked to draw one for the cover of BUSTER:


Eric Bradbury was also responsible for the panel of Mike Kane – Gladiator on the cover of the next issue. According to BUSTER Index by Ray Moore and Steve Holland, it was one of the last episodes by Mr. Bradbury before Bill Lacey took over illustrator’s duties in December.


Carlos Cruz is credited as the artist of Return of the Shrinker.


I don’t know who drew Black Axe in this issue and BUSTER index is not much help either:


As I explained in my introduction to this series HERE, I started it hoping perhaps it will attract the attention of BUSTER collectors with spare copies of the title and they’ll help me fill my few remaining gaps. Please, contact me via e-mail if you have copies to sell or swap and don’t mind shipping abroad because I am not in the UK. I have 25 – 30 spare copies from the early 60s and might help fill some of your gaps, so e-mail me for a list and details about condition. See my blogger profile for the address.

MY WANTS FOR BUSTER:
October 29, 1960
December 24, 1960
December 31, 1960
January 21, 1961
February 4, 1961
February 11, 1961
July 15, 1961
September 23, 961
December 30, 1961
June 20, 1964
July 4, 1964
July 11, 1964

BUSTER COVERS GALLERY - PART 7

$
0
0


The cover of the first issue of December 1963 featured Maxwell Hawke, the World-famous ghost hunter. The splash panel relates to the episode of MH and Knell of Doom story on page 2 in which the hero is blinded by jets of dazzling light that leap from the eyes of the brass mask on the hideous door-knocker at the entrance to the ancient Darkacre Priory…


Phantom Force 5 was an adventure story set in WWII. I am allergic to serials of this kind, I probably O.D.’d on them by watching too many on TV when I was a kid.


The cover of the 1963 Christmas edition of BUSTER was a deviation from the usual concept because it had no adventure ingredient. This beautiful cover was included in my Buster Christmases series on KAZOOP!! in the end of 2013 but I said I was going to show the complete run, so here it is once again:


Captain X Tiger-Shark premiered in the Christmas edition the week before. It was a story of a sinister 20th century pirate and his wondercraft of the deep.



As I explained in my introduction to this series HERE, I started it hoping perhaps it will attract the attention of BUSTER collectors with spare copies of the title and they’ll help me fill my few remaining gaps. Please, contact me via e-mail if you have copies to sell or swap and don’t mind shipping abroad because I am not in the UK. I have 25 – 30 spare copies from the early 60s and might help fill some of your gaps, so e-mail me for a list and details about condition. See my blogger profile for the address.

MY WANTS FOR BUSTER:
October 29, 1960
December 24, 1960
December 31, 1960
January 21, 1961
February 4, 1961
February 11, 1961
July 15, 1961
September 23, 961
December 30, 1961
June 20, 1964
July 4, 1964
July 11, 1964

BUSTER COVERS GALLERY - PART 8

$
0
0


In the first issue of 1964 the red Indian Strongbow the Mighty and his pale-faced mate Hawkeye the Hunter helped the rightful ruler in his struggle against a ruthless tyrant who had seized power in the valley.


The splash panel on the cover of the second issue of January 1964 featured Mike Kane and his mystic Gladiator ancestor who was invisible to everyone but Mike. In that week’s episode they were menaced by some serious wild beasts after a circus convoy crashed due to the reckless driving of a villain named Lopez.


The evil scientist Capek was still facing trouble from the victims of his experiments who were very eager to undo the magic of the villain’s shrinking tricks that turned them into midgets.


The splash panel on the last issue of January 1964 featured Maxwell Hawke and depicted the moment when a giant gorilla flung Hawke’s pretty girl assistant Jill off the top of the bell tower. The ghost hunter arrowed down to the murky waters below to save her but they immediately found themselves in another situation when a menacing spectre appeared out of nowhere and set the water alight with his gleaming sword. Those stories were a ceaseless sequence of cliff-hangers…


As I explained in my introduction to this series HERE, I started it hoping perhaps it will attract the attention of BUSTER collectors with spare copies of the title and they’ll help me fill my few remaining gaps. Please, contact me via e-mail if you have copies to sell or swap and don’t mind shipping abroad because I am not in the UK. I have 25 – 30 spare copies from the early 60s and might help fill some of your gaps, so e-mail me for a list and details about condition. See my blogger profile for the address.

MY WANTS FOR BUSTER:
October 29, 1960
December 24, 1960
December 31, 1960
January 21, 1961
February 4, 1961
February 11, 1961
July 15, 1961
September 23, 961
December 30, 1961
June 20, 1964
July 4, 1964
July 11, 1964

BUSTER COVERS GALLERY - PART 9

$
0
0


February is of course the shortest month of the year; in 1964 it had 29 days and enough Mondays for five issues of BUSTER. 

 

All the non-humour strips shown in the splash panels during February 1964 had already featured on BUSTER covers before, except Mighty McGinty, the reason being that the issue of Feb. 29th, 1964 contained the opening instalment of this new ‘punch-packed smash hit’. The scene of the strip is set somewhere in South America. It tells the adventures of a trouble-prone fist-swinging trio consisting of a mighty muscled Irishman and his mates. The adventurers wander from one little town to another taking every job they can find in hope to raise the money to start their own construction company. The strip didn’t last long and ended in October of that same year.


I hear you asking: what, five issues and not one cover featured Maxwell Hawke?! True, Maxwell Hawke was the big BUSTER star at the time and there were only two months when he did not appear on the front cover. Maxwell Hawke and the Knell of Doomended in the last issue of February and a new story started in March, so he didn’t take long to return to the spotlight, as you will see in the next post.

BUSTER COVERS GALLERY - PART 10

$
0
0


The fearless ghost-hunter Maxwell Hawke returned to the front cover with a splash panel from a new ‘spine-chilling’ story Maxwell Hawke on the Isle of Ghosts. Two bony hands seize hold of a fisherman’s boat to drag it down into the depths near Fortress Island on the French coast where Maxwell Hawke and his pretty girl assistant are enjoying their well-earned holiday.


Next week the readers of BUSTER were treated to another new strip – Jeff Craig Detective. The series of mystery thrillers (one complete case a week) drawn by Ian Kennedy was reprinted from KNOCKOUT.


Captain X – Tiger Shark had already made a few front-cover appearances before.



Thunder Boult the Magician Who Went to War premiered in the last issue of March 1964. The theatre where Thunder Boult does his show is destroyed in a German air raid. Being a genius of escape and other magic tricks, the entertainer is recruited by M.I.5 and sent to Nazi Germany with a mission to get a non-Nazi professor out of the country and save him from the Gestapo investigation. Boult works in tandem with his faithful assistant Props Millar, an Australian.



As I explained in my introduction to this series HERE, I started it hoping perhaps it will attract the attention of BUSTER collectors with spare copies of the title and they’ll help me fill my few remaining gaps. Please, contact me via e-mail if you have copies to sell or swap and don’t mind shipping abroad because I am not in the UK. I have 25 – 30 spare copies from the early 60s and might help fill some of your gaps, so e-mail me for a list and details about condition. See my blogger profile for the address.

MY WANTS FOR BUSTER:
October 29, 1960
December 24, 1960
December 31, 1960
January 21, 1961
February 4, 1961
February 11, 1961
July 15, 1961
September 23, 961
December 30, 1961
June 20, 1964
July 4, 1964
July 11, 1964

BUSTER COVERS GALLERY - PART 11

$
0
0


By April 1964 Black Axe fantasy tale had evolved from an old-style picture story into a regular strip with speech balloons, which IMHO was an improvement.


In search for a new job, globe-trotters Mighty McGinty and his two pals arrive at a small port on the coast of South America and are attacked by a gang of seamen. The fighting three don’t even bother to ask why they are being attacked and take it as an opportunity to get rid of all that surplus energy that they have in abundance. For the duration of its appearance in BUSTER the strip was given the prime slot on pages two and three.


Ousted by Mighty McGinty, Maxwell Hawke retreated to page four for a while.


The cover of the last issue of the month featured Jeff Craig Detective. The title of that week’s complete mystery thriller was Jeff Craig Detective and the Bogus Bodyguard


BUSTER COVERS GALLERY - PART 12

$
0
0


The second Shrinker story (Return of the Shrinker) ended in BUSTER dated March 21st, 1964 (Ray Moor’e and Steve Holland’s BUSTER Index 1960 – 1995 wrongly says it concluded on Feb. 15th, 1964). In the end of that story the evil scientist Capek found himself in the hands of the law and was put behind bars at last, but promised to return and claim his revenge. And return he did in BUSTER dated May 2nd, 1964. Gang boss Madago devised and flawlessly executed a daring plan to free Capek hoping that the two can form a team and become the richest men in the World. He underestimated the cunning of the evil scientist who used the crime syndicate’s resources to perfect his new shrinking machine and then turned it against the gang boss. With Madago out of the way, Capek is now the biggest crime boss alive, fully equipped to unleash his plot against the World.


The splash panel on the cover of the next issue featured Thunder Boult - the Magician Who Went to War. The issue contained the first episode of a new suicidal mission against the dreaded German Gestapo in enemy-occupied France.


A week later a new Maxwell Hawke story was introduced:


Mighty McGinty and his fighting crew are now in darkest Africa where they are attacked by a band of natives. The harder the fight, the more he likes it!


The mighty young Saxon Edmund, a.k.a. Black Axe, carried on with his ruthless war against Viking invaders of Britain.



As I explained in my introduction to this series HERE, I started it hoping perhaps it will attract the attention of BUSTER collectors with spare copies of the title and they’ll help me fill my few remaining gaps. Please, contact me via e-mail if you have copies to sell or swap and don’t mind shipping abroad because I am not in the UK. I have 25 – 30 spare copies from the early 60s and might help fill some of your gaps, so e-mail me for a list and details about condition. See my blogger profile for the address.

MY WANTS FOR BUSTER:
October 29, 1960
December 24, 1960
December 31, 1960
January 21, 1961
February 4, 1961
February 11, 1961
July 15, 1961
September 23, 961
December 30, 1961
June 20, 1964
July 4, 1964
July 11, 1964


BUSTER COVERS GALLERY - PART 13

$
0
0


The sequence of those interesting BUSTER covers ended in June 1964. Starting from June 27th, 1964 Buster’s Diary was all over the cover and non-humour splash panels were never used again. BUSTER continued as a mix of humour and adventure strips for quite a while and there was no apparent reason for reverting to the old cover design at that stage. In fact, with the introduction of The Astounding Adventures of Charlie Peaceon June 27th, 1964 the balance tipped even more towards adventure, but the editors probably had their reasons. Perhaps they felt that promoting BUSTER as part-adventure paper was a disadvantage to the sales of the new adventure comic HURRICANE that was launched in February of 1964.

Anyway, here are the last three covers. 



Judging by the slump in the number of daily visits and comments, this series of blogposts wasn’t a tremendous success, so I’d better get back to the usual business and MONSTER FUN COMIC is next in line, as promised.

Apparently, the cover galleries didn’t succeed in reaching fellow collectors with spare copies of BUSTER to sell or swap but since they will continue their existence on the web courtesy of Blogger and Google, I will repeat the usual mantra one last time and maybe one day it catches the eye of the right person…

As I explained in my introduction to this series HERE, I started it hoping perhaps it will attract the attention of BUSTER collectors with spare copies of the title and they’ll help me fill my few remaining gaps. Please, contact me via e-mail if you have copies to sell or swap and don’t mind shipping abroad because I am not in the UK. I have 25 – 30 spare copies from the early 60s and might help fill some of your gaps, so e-mail me for a list and details about condition. See my blogger profile for the address.

MY WANTS FOR BUSTER:
October 29, 1960
December 24, 1960
December 31, 1960
January 21, 1961
February 4, 1961
February 11, 1961
July 15, 1961
September 23, 961
December 30, 1961
June 20, 1964
July 4, 1964
July 11, 1964

MONSTER FUN COMIC: ADVERTISEMENTS IN IPC COMPANION PAPERS

$
0
0

I will start my overview of Monster Fun Comic with a blogpost on adverts in IPC sister publications. The launch of both comics that I have already covered on Kazoop! (COR!! and SHIVER AND SHAKE) was advertised with four-page pull-outs in companion papers. For some reason MONSTER FUN COMIC was not given the privilege – I checked my copies of the issues of four titles that came out at the time and none have promotional pull-outs for MFC.

WHOOPEE! and WHIZZER AND CHIPS ran a full-scale campaign for 6 consecutive weeks from June 7th through to July 19th, 1975. 

Both papers had full-page advertisements in the issues cover-dated 7th June, 1975 (a week before the premiere). The adverts were identical except that WHOOPEE! had the face of Frankie Stein where WHIZZER AND CHIPS had the figure of a robot (Dough Nut from one of the strips in MFC). It made sense to include Frankie Stein in the advert in WHOOPEE! because the character was one of the big stars of the paper and his endorsement was probably regarded by the Editor as an important factor in helping the young reader decide to give the new magazine a try.




A week later (14th June, 1975 – the date that was also on the cover of the first issue of MFC) WHOOPEE! and WHIZZER AND CHIPS both had full page adverts of the new picture weekly and the free gift that came with it. Once again, Frankie Stein in WHOOPEE! occupied the spot that was given to Dough Nut in WHIZZER AND CHIPS:


This is how the second issue of MFC and the free gift were advertised in WHOOPEE! and WHIZZER AND CHIPS in the issues cover-dated June 21st, 1975:


The adverts occupied 1/2 page. Note the small differences: there is a speech balloon coming from Frankie’s mouth in the WHOOPEE! version of the ad. Just like in the two previous weeks, the direct endorsement from Frankie was probably intended to encourage his fans to buy MFC. The same applies to the advertisement from the issues of both comics dated June 28th (the Frankie Stein says... version is from WHOOPEE):


The other three advertisements in WHOOPEE! and WHIZZER AND CHIPS issues cover-dated July 5th, 12th and 19th, 1975 were identical and looked like this:


I also checked BUSTER – the comic that MFC would eventually be merged into a year and a half down the line. Buster (or BUSTER AND COR!!, to be exact) was hit by industrial action and missed two last weeks of May, 1975. As opposed to WHOOPEE! and WHIZZER AND CHIPS, the arrival of the new comic wasn’t mentioned in the issue of BUSTER cover-dated June 7th, 1975. Perhaps they didn’t have enough space for the ad because that issue had an impressive amount of advertisement as it were: The Airfix Modellers Club– full page,  Matchbox Battle Kings– full page, Buster Holiday Special - 1/2 p., Motor bike models - 1/2 p.,  Scalecraft plane models  - 1/2 p., Donald and Mickey - 1/2 p., Tizzer T-shirts- 1/2 p., post stamps - 1/4 p., Stunt Flyer plane model - 1/4 p., Battle Picture Weekly – Big Battle Game- 1/2 p., Louis Marx – The Lone Ranger– full page in colour on back cover. It is also interesting to note that from June 14th, 1975 MONSTER FUN COMIC had to compete for advertising space in sister publications with another new kid on the block that was LINDY (the first issue of the paper came out on June 21st, 1975).

Starting from the issue of June 14th, 1975 BUSTER promoted MFC with exactly the same adverts that can be found in WHIZZER AND CHIPS. Here are some examples:


The only difference was the layout of the last ad in BUSTER dated July 19th, 1975:


I checked VALIANT as well.Production of the title was also affected by industrial action and it missed the dates of May 31st and June 7th. There was nothing about MFC in the issue of VALIANT dated 14th June. VALIANT joined the fun starting from June 21st. The advertisements in VALIANT were the same as in BUSTER, except that the layout of the one in the issue of June 28th, 1975 was different:



BUSTER PUZZLE

$
0
0




I owe an apology to those of you who have dropped by to read about MONSTER FUN COMIC because I will have to postpone the series by just a little bit and write about BUSTER instead...

I was doing some research the other day and found something interesting that I’d like to share with you. I will start with a challenge: can you guess why I’ve decided to show this unremarkable and seemingly random cover of BUSTER that bears today’s date in 1980?  If you need a hint, I can tell you it’s a landmark issue of the title. The clue is in the date (and it has nothing to do with the fact that it's the National Holiday where I live).

Feel free to leave your guesses in the comments section and come back in a day or two for the correct answer.

BUSTER PUZZLE ANSWER

$
0
0





The correct answer to the question I asked in my previous post about BUSTER issue dated February 16th, 1980 is that it happens to be the one thousandth edition of the title. This is not mentioned on the cover or anywhere inside, and in all likelihood IPC were unaware that it was their landmark number, or they would have exploited this for promotion purposes.

Differently from DC Thomson, Fleetway and IPC didn’t number their comics and we know they weren’t very good at keeping their count accurate, as illustrated by the example of WHOOPEE! dated November 5th, 1983 that was celebrated as No. 500 although in fact it was the 494th weekly edition published in the 504th week of publication.

BUSTER No. 1,000 came out in the 1,029th week of publication. The whole run of BUSTER consists of 1,901 issues published over a period of 1,984 weeks. The last 45 editions were fortnightlies; from 1994 onwards bumper X-mas editions covered a period of two weeks each; there were two double-dated issues in 1970 and the industrial action/production difficulties of the 70s and the 80s (to a lesser extent) are responsible for the remaining part of the deficit.

THE HIDDEN NUMBERING OF BUSTER WEEKLIES

$
0
0


Looking through the 1,000th issue of BUSTER I noticed that the coupon for readers to write down three of their favourite strips and send them to the Editor was marked B319:


The coupons in the neighbouring issues also have similar marks so I decided to trace them back to see when and why the numbering was introduced. Here are my findings...

IPC started keeping the number of their BUSTER weeklies from the issue with the cover date of 22nd Sept., 1973 (although the coupon was only marked with the date yet). Why they chose that particular issue for their reference point remains a mystery to me because BUSTER AND JET cover-dated 22nd Sept. 1973 was not remarkable or special in any way. On the other hand, the numbering was clearly intended for internal use to help the editorial team in sorting the coupons chronologically to see which strips were doing better when. In all likelihood they started doing this as soon as they realised it might be convenient and therefore they didn’t need a special issue to assign the first number to.

The first numbered coupon can be found 22 weeks later in BUSTER issue dated 23rd March, 1974 (B22). The practice continued for a while and was abandoned after issue B322 (8th April 1980). Since then (as well as before the numbering was introduced in 1973) the coupons were either unmarked or marked with a date (month and day but not the year). I haven’t checked every issue but I believe the first coupon with a date was in BUSTER of 12th May, 1973.

This ‘momentous''discovery’ also solves the puzzle on my original FACEACHE page from the 1978 Christmas issue of BUSTER. Some of you may remember AN OLD POST in which I showed some scans of the artwork and wondered why it was marked ‘No. 262 FLY’. It turns out the piece of paper with the hand-written text is in fact glued to the artwork. Underneath, the original page is marked like this:


No 264 fits nicely into the numbering sequence that starts from the issue of BUSTER dated 22nd Sept., 1973, and the coupon in the BUSTER of 30th Dec., 1978 is appropriately marked B264. I still can’t understand why they had to cut off the corner of FACEACHE original artwork from two weeks before (‘FLY’ episode in B262 dated 16 Dec., 1978) and glue it to the ‘SANTA’ episode:


…and then glue another piece on top of it. That other piece has yet another piece glued to it and you can see “in The Pied Piper” written underneath. ‘The Pied Piper’ was a two-part episode that appeared in BUSTER in the first two weeks of September 1978. They were surely fond of cutting and pasting at IPC…


IPC also numbered the coupons in SHIVER AND SHAKE weeklies but I haven’t found evidence they did that in other IPC children’s comics at the time. They definitely reintroduced the practice in TAMMY in the late 70s.

MONSTER FUN COMIC - IT'S A WILD, WEIRD, WHACKY WEEKLY!!

$
0
0



When MONSTER FUN COMIC arrived on the newsstands across the UK in the beginning of the Summer of 1975, it joined its senior IPC sisters in the children’s humour comics family, consisting at the time of Buster, Whizzer and Chips and Whoopee!     Shiver and Shake had already folded by then, as of course had COR!!

Edited by Bob Paynter, it was yet another attempt at the comedy horror genre by IPC. Shiver and Shake had played the theme half-heartedly so to speak because only a part of the comic was supposedly spooky. With MONSTER FUN COMIC, IPC went all the way and the paper was chock-full of funny horrors. Not that they were genuinely scary, of course, but monsters nonetheless – Kid Kong (banana-obsessed relative of King Kong), Draculass (daughter of the infamous count of Transylvania), Creature Teacher (monstrosity manufactured by desperate teachers in a chemical lab and put in charge of the unruly class 3X), thy mysterious Invisible Monster, Martha’s Monster Make-Up, Brainy and his Monster Maker, Major Jump Horror Hunter, Tom Thumbscrewthe Torturer’s Apprentice, March of the Mighty Ones (adventure serial that continued throughout the run of the paper), Terror TV, Freaky Farm, Teddy Scare, The Little Monsters and others. There were a few traditional strips too, such as X Ray Specs, Art’s Gallery, Dough Nut and Rusty (very much like Tough Nutt and Softy Centre in Shiver and Shake) and Mummy’s Boy.  The most interesting strip of the non-horror variety was probably S.O.S. (Save Our Stan)– a very clever combination of a comic strip and a puzzle, a lot like an interactive game where the main character couldn’t do without readers’ help. As is the custom on Kazoop!!, every strip will receive a dedicated post in due course. 

'Honorary Editor' and host of the comic was none other than Frankie Stein the friendly monster. Thanks to Bob Nixon’s brilliant art and the efforts of IPC script-writers, the character had formed a solid fanbase in the days of SHIVER AND SHAKE during 1973 – 1974 and continued to do very well in the combined WHOOPEE! AND SHIVER AND SHAKE. That’s probably why Bob Paynter decided that putting him (notionally) in charge of the new magazine would only be good for the paper. I find it quite surprising how much of Frankie there was in MFC: in addition to contributing the odd ‘editorial’, running the Letters to Frankie section and making a few front-cover appearances, he featured regularly in Frankie’s Diary and Freaky Frankie strips and was the host of the brilliant Ticklish Allsortsfeature; he even had a pull-out poster and one of the booklets was dubbed Frankie Stein’s Pull-Out Book, never mind that he did not even appear inside.

MONSTER FUN COMIC had quite a few innovative reader participation features of which Master Ugly Mug and Miss Funny Faceface-pulling contest was surely the most hilarious one. Readers could embarrass themselves to their hearts’ content by sending their funniest and silliest mug shots to MFC in hope to win £2 if their picture was published. 

What made MFC stand out amongst other IPC sister publications was the ceaseless supply of pull-out booklets (most notably Badtime Bedtime Books), posters, games and other things to cut out. Only a handful of the 73 issues did not have them, making the quest of building a full set of complete issues a collector’s nightmare (unless you are very lucky and win the whole run (minus only two issues) with the posters and pull-outs, and a bonus of both MFC Summer Specials, for just £31.00 on eBay, like someone did a few days ago!!).

With the large variety of pull-outs, including as many as 43 Badtime Bedtime Books (each a self-contained 8-page short-story in its own right), MFC had a surprisingly small number of strips – only 26 all in all. In comparison, the 79-issues run of another short-lived IPC comic SHIVER AND SHAKE managed 40+! The paper did not go through major revamps – any strips that were introduced or rested, came and went one by one without much ado. That said, the comic still underwent two notable developments – one was the rise and fall and rise again of Badtime Bedtime Books which had to do with Leo Baxendale’s decision to bid his farewell to comics, leaving Bob Paynter with a major challenge of finding new writers and artists to create the BBBs; the second was the drop of the adventurous practice of rotating cover stars and giving the cover permanently to Gums. Both will be covered in greater detail when I do yearly overviews of the comic in the next two posts.  

The stellar team of artists who worked on MFC included two giants of UK comics – Leo Baxendale whose Badtime Bedtime Bookswere his swan song in comics, and Ken Reid who illustrated Martha’s Monster Make-Up. Experienced humour artists like Robert Nixon, Mike Lacey, Trevor Metcalfe, Terry Bave, Sid Burgon, Norman Mansbridge and Les Barton were also part of the team, as was Mike White who was put in charge of March of the Mighty Ones, the only adventure serial in the paper. Mr. White continued to draw it nearly until the very end of MFC when the brilliant Ron Turner took over. MFC also recruited a few young artists who later became regulars in UK comics. I am referring to Tom Paterson, Tom Williams, Jim Watson, Barrie Appleby, Nick Baker, Ian Knox and Vic Neil. There was also one artist whom I don’t recall seeing anywhere else – the name is Andy Christine, illustrator of Grizzly Bearhug… GIANT and Tom Thumbscrew the Torturer’s Apprentice(until Norman Mansbridge took over).

Well, so much for the introduction. Here are the bare facts: 

  • The run of Monster Fun Comic consisted of 73 issues, the first issue was cover-dated 14th June, 1975 and the last – 3oth October, 1976. It did not miss a single week.
  • Printed by: Fleetway Printers, Gravesend, Kent.
  • Pagination: 32 pages.
  • Priced: 6 p (issues 1 – 30); 7 p (issues 31 – 64); 8 p (issues 65 – 73).
Only two Monster Fun Comic Summer Specialswere published (1975 and 1976). Monster Fun Annuals outlived the weekly by a good margin: the last one came out for the Christmas of 1984 and carried the date of 1985.

1975: A LOOK AT THE FIRST YEAR OF MONSTER FUN COMIC

$
0
0



People in the know say that preparations to launch a new comic often involved the production of a ‘dummy’ issue. One was apparently put together for MONSTER FUN COMIC because a proof-print of an alternative cover came up on eBay last year. Here is what the front page of the first issue would have looked like, had the wise men of IPC not decided in favour of the one with Kid Kong having fun at the table. Incidentally, the alternative cover idea (assuming Kid Kong pounding his chest with his fists King-Kong style can be called that) was later used for the cover of MFC issue No. 18 (you can see it in the collage of MFC covers further down in this post).

The first three issues of Monster FUN COMIC came with free gifts. The first was something called ‘plate wobbler’. The idea was to slip the tube under the tablecloth so that the pink bulb was under the plate of the unsuspecting table companion. Pressing the green bulb repeatedly caused the plate to wobble and startle the victim. Kid Kong is seen using the freebie on a poor kid on the front cover of the first issue. The big ape probably wasn’t very smart because he is pressing the pink end rather of the green one… Nonetheless, his plate wobbler still does the trick, so it’s all good…

Number two came with a ‘Freaky Spider Ring’, and No. 3 had ‘Super Shaking Skeleton’. The two pairs of images below show how the free gifts were advertised in the issues of MFC preceding the week of their arrival, and what they actually look like in the flesh. 




MFC was not a typical IPC comic in the sense that the issues were not only marked with a date but also numbered. What’s more, MFC issues 2 – 5 only had a number but no date. Leo Baxendale explained the reason in his book A VERY FUNNY BUSINESS. It turns out that the editorial staff would prepare an edition of the comic but because of the printing stoppages they couldn’t be certain when it would appear in the shops.

Here is the line-up of strips and features that premiered in MONSTER FUN COMIC No. 1 (14th June, 1975):

Kid Kong
X-Ray Specs
Martha’s Monster Make-Up
Dough Nut and Rusty
Grizzly Bearhug… GIANT
Master Ugly Mug and Miss Funny Face face-pulling contest (announcement)
Art’s Gallery
Badtime Bedtime Storybook No. 1 – Jack the Nipper’s Schooldays
Draculass – daughter of Dracula
Brainy and his Monster Maker
March of the Mighty Ones (adventure serial)
Monster Hits – top 10 gags (reader participation feature)
Major Jump Horror Hunter
Creature Teacher
Tom Thumbscrew the Torturer’s Apprentice
The Invisible Monster
Cinders – She’s Hot Stuff

The opening episodes of as many as three strips (Kid Kong, Grizzly Bearhug… GIANT and Creature Teacher were given 3 pages each, making space scarce in No. 1. A week later they were cut down to the usual two pages, so there was room for three more strips – Mummy’s Boy, Frankie’s Diary (initially – Frankie’s Own Freaky Fun Page) and Meanie McGenie. As I said in my previous post, the total number of strips in MFC was unimpressively low. Out of the original line-up introduced in the first two issues, 12 strips and 2 participation features endured the entire 73-issue run. That’s nearly a half of all strips and features during the paper’s lifetime. I have marked the long-survivors in red. In retrospect, we now know that 5 of the 12 (X-Ray Specs, Kid Kong, Martha’s Monster Make-Up,Draculass and Mummy’s Boy) outlived the comic and were transferred to BUSTER when the two titles merged a year and a half later.

It goes without saying that a new comic had to have several participation features in which readers could win themselves some pocket-money, and MFC surely had a lot to offer. You could win £2 if your picture was published in the Master Ugly Mug – Miss Funny Face face-pulling contest, and £1 for each potty play-on-words idea used in Art’s Potty Pictures challenge; cash prizes were also offered for the top drawings of the Invisible Monster (one of the strips in MFC): £2 for the week’s best drawing and £1 for two runners-up each. Nine £1 prizes were handed out to senders of entries for the Monster Hits chart of top 10 gags while the contributor of the week’s chart-topper collected £2. Frankie Stein soon joined the fun, offering £1 for every letter published in Letters to Frankie section (due to the length of production process the letters column first appeared in issue No. 8). The readers of MFC who had entered the paper’s participation features eagerly awaited the arrival of issue No. 8 (2nd August, 1975) because winners’ names were to be published for the first time. Here is how the news was announced in issue No. 7:


Let’s take a look at some of those reader contributions in MFC No. 8:




Cinders the romantic she-dragon was rested after issue No. 12 and was hardly missed. The first light breeze of change blew in issue No. 16 with the first appearance of the Little Monsters on the front page. Issue No. 19 saw the end of two strips – Grizzly Bearhug… GIANTand The Invisible Monster; the end of the latter automatically meant the axe for the Invisible Monster feature which wasn’t such a big loss IMHO, especially since readers were now busy entering for two new participation features unveiled in issue No. 16: Finish-a-Fiend and Ticklish Allsorts; both proved to be very popular - the former ran well into the second year, and the latter continued until the very last issue. Here is how they were promoted in issues 16 – 22 before the first winners could be announced in issue No. 23:


Two new strips were introduced a week later in issue No. 20: the hilarious S.O.S. (Save Our Stan) and Teddy Scare. The latter was to become the sixth MFC survivor in BUSTER.

Reprints of Leo Baxendale’s Sam’s Spook (originally from SMASH! where it ran for a year in the early 70s) started in issue No. 21. The caption above the page said this ‘super funster’ was included because lots of requests came in after his appearance in the MFC Summer Special.

So much for the developments of the line-up during the first year.

Initially MFC was quite adventurous with its front covers. In 1975 Sid’s Snake could always be trusted to be on the cover of WHIZZER AND CHIPS while Bumpkin Billionairesnever failed to appear on the front page of WHOOPEE!  BUSTER was less cut-and-dried: cover stars rotated on a weekly basis, but Buster’s Diary was always present nonetheless. With MFC you never knew what to expect – it would feature Kid Kong one week and X-Ray Specs a week later, followed by Martha’s Monster Make-up, followed by an advertisement-style cartoon of some kids, a cop and a green monster, followed by Creature Teacher, followed by the Little Monsters, and so on. The striking white-on-red logo and the dominant yellow background colour made the comic instantly recognisable on the newsstands but otherwise those early covers had little in common. The practice continued throughout 1975 and ended in issue No. 35 when the front page was permanently given to Gums, but that’s already the territory of another post about the second year of MFC.

I always find it quite amusing to skim through the letters column. In MFC, the section was called Letters to Frankie and it usually shared the page with that week’s winners of the face-pulling contest. As one might expect, the majority of readers praised the comic and its various strips, there were quite a few rhymes giving kudos to MFC and its monster stars as well as letters telling about grassroots MFC fan clubs popping up here and there. Some readers shared their ideas how to improve the paper, for instance by dropping Mummy’s Boy and Grizzly Bearhug, or adding new features such as The Bride of Frankie Stein, Monster Mushroom and Dangerous Dan, or bringing back Horrornation Street from Shiver and Shake. Many wrote in to tell they enjoyed following adventures of Frankie Stein in Whoopee! and were glad he was made Honorary Editor of the new paper. Many admitted they were fans of all things horror so the new comic was very much to their tastes. Some readers felt they needed to tell about their favourite foods (sossies in mash), hobbies (building planes, and then smashing them against a wall) and collections (odd bits and pieces, stamps, key rings, marbles, comics, stretchy rubber “horrors”, etc.). The letters confirmed that Badtime Bedtime Books were very well received too, they were described as 'the best idea in comics for a long, long time'; one reader said he had made a special folder for them to go in, calling it Badtime Bedtime Book Encyclopaedia. (By the way, when writing on reader feedback to his first Badtime Bedtime Books, Leo Baxendale said the letters had lived up to all expectations and were written in the same white heat of enthusiasm which he remembered from the very early Bash Street mail. He noted that significantly, adults wrote in too. He knew they only wrote in when something very special appeared; adult letters like these were a new phenomenon for IPC comics, he said). 

The vast majority of the mail was addressed to Frankie who never failed to come up with a witty answer. Some letters, however, had other addressees, most notably Leonard Rottingsocks, Draculass, Tom Thumbscrew, and even Prof. Cube (who made the odd appearance in Frankie’s Diary but was usually seen in WHOOPEE!). On three occasions Leonard Rottingsocks even got his own letters column in issues 12, 15 and 19.

Some letters and Frankie’s comments are an interesting reflection of the times (the 70s were turbulent times and the country was in economic crisis): there was a letter in which the readers asked if it were OK for a group of friends to send their letters in one envelope to save postage because it was getting so expensive to send separate letters; in another letter someone suggested producing a binder for readers to keep their MFCs in but Frankie replied he was worried that it might be expensive and everyone was having to watch the pennies those days.

MFC may have not delivered too many strips, but it surely championed in terms of the number of pull-outs, of which Badtime Bedtime Books were the most notable ones. The idea of a pull-out mini-comic was conceived by Bob Paynter who also suggested the title but otherwise gave Leo Baxendale a completely free hand writing scripts and drawing the stories. All was well as long as Mr.Baxendale played ball but Bob Paynter didn’t realize that the artist had made a master plan to use Badtime Bedtime Books as a vehicle for manoeuvring his way out of the comics industry and was implementing it consistently (Mr. Baxendale writes about it at length in his book A VERY FUNNY BUSINESS). Soon the Editor faced a big challenge of finding first the writers and later the illustrators that would match Mr. Baxendale’s talent.

I believe the original idea was to have a BBB in every issue, and Mr. Baxendale was somehow able to keep the schedule, although we know from his book that he was working at a leisurely pace and preparing his first Willy the Kid annual at the same time. All but three of the 25 Badtime Bedtime Books that came out in 1975 were illustrated by Mr. Baxendale but the decline of the feature was very much on the horizon (to be continued in the next post on the second year of MFC…)

Badtime Bedtime Books weren’t the only pull-outs in the MFC. In 1975 readers were treated to four pull-out posters: Kid Kong and Granny (issue No. 8), Frankie Stein (No. 20), Draculass(No. 22) and Dough Nut and Rusty (No. 27). Note how the frequency of the posters increased towards the end of the year. Was it because the supply of BBBs from Leo Baxendale was running thin and the Editor wanted to buy himself more time as he desperately sought suitable artists to replace him...?


All four pull-out posters from 1975

Monster Jigsaw Competition was printed in issues 3-6 (No. 3 had the jigsaw grid and the first two pieces, while the next three editions had more jigsaw pieces to cut out). The sponsors of the competition were really generous, weren’t they:


Monster Jigsaw Competition results can be found in Issue No. 20 (25th October, 1975)

Issues 13-16 had the Pull-out Booklet of Monsters and 16 cut-out pictures to collect and glue to the inside pages of the mini-book. No prizes this time, only fun. Here are the covers:


Issue No. 20 had Humpty Dumpty Badtime Bedtime Special Story by Leonard Rottingsocks – a text story with illustrations (by Leo Baxendale, I believe). I am not sure it qualifies as a pull-out, but it was still something out of the ordinary. Here’s a fragment:


Then there was this Make Your Own Monster Badges page in issue No. 22:


And finally for 1975, there was The Umpteenth Day of ChristmasBadtime Bedtime Story Special (centrespread with some Holiday Season poetry and illustrations by I’m not sure who), with Frankie’s Mountain Monster Game on the reverse, illustrated and signed by Nick Baker. Both appeared in issue No. 29 (27th December, 1975).

The last thing I would like to mention in this monster account of the first year of MFC is the first MFC Summer Special. What is unusual about it is that it was put together and launched simultaneously with the weekly – the first advertisement of this “big one to look forward to” was in MFC issue No. 4! It was a nice package, albeit with a fair share of reprints; it will receive a dedicated post in due course. 

It is also quite surprising there was no MFC annual for 1976. In a few of his comments in the letters section Frankie Stein said they didn’t have time to prepare one and suggested readers bought his annual instead (Whoopee! Book of Frankie Stein 1976).  


1976: A LOOK AT THE SECOND YEAR OF MONSTER FUN COMIC

$
0
0


First issue of 1976
The first notable thing about MFC in 1976 was the price increase from 6p to 7p from the second issue of the year (No. 31 dated 10th January, 1976). For some reason it was the only comic in the then IPC children’s comics family to become more expensive at that stage. Whoopee! and Buster followed suit 9 months later on 4th September, 1976. I don’t have copies of Whizzer and Chipsfor that period to check, but I know that in the end of June 1976 it was still 6p, so there’s a good chance that it also became a 7p paper on 4th Sept., 1976 together with Whoopee! and Buster (Valiant as well).  By coincidence (or was it not..?), MFC issue No. 31 printed the list of winners from the Monster Mash records competition which had been advertised back in issue 16, and announced a ‘great new free-to-enter contest’ in which Atlantic Recordsprovided 100 super singles as prizes (The list of winners can be found in No. 47). The contest as well as news about things to look forward to were promoted by Frankie Stein in his special Hiya, Monstermates… message. Was this a veiled attempt to offset possible disappointment over the price increase?


Only three strips folded during 1976, they were Art’s Gallery in No. 35, S.O.S. Save Our Stan in No. 39 and reprints of Sam’s Spook in No. 46. Not all of the remaining strips made it to the very last edition, disappearing silently in the penultimate issue or thereabouts; they were Major Jump Horror Hunter (last seen in No. 72), Tom Thumbscrew (the final episode was in the last issue but he was absent for three weeks before that), Meanie McGenie (last seen in issue No. 70 but his appearances had always been sporadic) and The Little Monsters (last seen in issue No. 70). Finish-A-Fiendparticipation feature last appeared in No. 63. I believe readers found it great fun: every week they were asked to finish a freaky figure that an MFC artist had started off for them. Winning attempts were published on a weekly basis and their contributors were rewarded with £2 prizes. Check out a couple of examples below:



Three new strips took the place of the fallen ones during 1976 – Gums started in No. 35, Freaky Farm in No. 40 and Terror TV in No. 49. Gumsand Terror TV eventually made it to the combined BUSTER AND MONSTER FUN.

The arrival of Gums in No. 35 put an end to the practice of rotating cover stars (although for the sake of accuracy it has to be said that the majority of covers between issues 23 and 34 had been occupied by the Little Monsters). Gumsentrenched itself firmly on the front page for the remaining lifetime of the paper with a few exceptions: the Monster in the News announcement on the front page of No. 48 (Frankie Stein rejoicing over a clipping from the 3rd March, 1976 edition of The Sunnewspaper mentioning his name), the arrival of Terror TV when the strip was given the front covers in two consecutive issues 50 and 51, the first instalment of Monster-Mix-UpsGame in issue 52 (in which MFC also congratulated itself on its first birthday) and finally Land of the Monsters cut-out pictures for the pull-out wall paper in Nos. 66 and 67. Here are all those non-Gumscovers:


By the time he had to prepare the first issues of 1976, Bob Paynter had run out of Badtime Bedtime Books drawn by Mr. Baxendale, so he tried experimenting with a few other artists. IMHO, three of the illustrators (Artie Jackson, Jack Clayton and even Terry Bave) weren’t really up to the task, and the five BBBs that appeared in the first months of 1976 were particularly poorly drawn. Things improved considerably when Bob Paynter discovered Mike Brown who was able to imitate Leo Baxendale's style to perfection. The Editor must have been satisfied, as confirmed by the fact that towards the end of the run the frequency of BBBs was restored to its previous levels. Mike Brown proudly initialled or signed most of the sets, so he must have been pleased with his work as well (check out two examples below). Let’s leave BBBs alone for now because I hope to write a dedicated post or two later on.  


Faced with the deficit of BBBs, the Editor had to use his imagination and think of something to replace them with. By that time the notions of ‘MONSTER FUN COMIC’ and ‘pull-out’ had become inseparable in the minds of the young readers so the magazine had to live up to its image. Posters were the obvious solution. They kicked the year off with Creature Teacher pull-out poster in No. 30, followed Badtime Bedtime Book poster in No. 36, followed by Gumsin No. 38, Teddy Scare in No. 40, X-Ray Specs in No. 44, Kid King visits MF Headquarters in No. 57, Terror TV in No. 60 and The Little Monsters in No. 63. Here is the gallery:



Let’s take a look at other pull-outs offered in MFC during 1976.

Issue No. 33 (24th January, 1976) had a centrespread with a news report under the sensational headline Monsters Invade the Isle of Wight. Illustrated with numerous b/w photos, it was in fact a short article about the construction in 1972 of Blackgang Chine Leisure Centre which had a display of realistic plaster models of pre-historic beasts and soon became a popular tourist spot. Another page with more photos of the attraction can be found in issue No. 36

Issue No. 34 came with a BBB, but it also had this nice Draculass mask on the rear page:


The 4 centre pages of issue No. 35 were given to the advertisement of the first issue of the infamous ACTION – the ‘new boys’ paper of the seventies’.

Issue 42 had this Monster Jigsaw pull-out. The idea was to glue the pull-out to a piece of cardboard, cut it up and make a jigsaw puzzle:


Issue 45 had the pull-out booklet of Man-Made Monsters. It was a collection of images of different giant-size structures and vehicles. Here are the covers:



No. 46 (24th April, 1976) was the Easter issue, so it came with a Monster Fun Easter Egg Race pull-out game with Frankie Stein as the central figure. The pull-out was illustrated and signed by Les Barton.

Issue 49 had the 8-page Frankie Stein's pull-out book of Monster Gags. It was an assortment of visual cartoons by Jim Crocker. Don’t expect to find Frankie Stein inside, his name on the front cover was for promotional purposes only.


The first birthday issue (No. 52, 5th June, 1976) arrived with the first part of Monster Mix-Ups game. Three more parts followed in issues 53-55. Here is what they looked like (all were different, of course):


Again, the idea was to glue the pull-outs to a piece of cardboard, cut them up into 72 cards and play this game:


Issue No. 59 had this pin-up of Leonard Rottingsocks:


The last pull-out proper was Land of the Monsters in issues 65 – 68. The idea was to use the three brightly coloured centrespreads in issues 65-67 to construct a panoramic scene of a pre-historic landscape, then cut out the dinosaur pictures printed in the four issues (if you wish to see how they looked, scroll up to the collage of non-Gums MFC covers above) and arrange them in the scene as one pleased. An example was provided in issue 68:


The wall-paper was quite large: imagine three standard IPC-size centrespreads arranged into a panoramic scene and you’ll get an idea. Drawn by Ron Turner. Here is one piece:


Let’s look at some of the interesting stuff in LETTERS TO FRANKIE. Judging from reader feedback, certain characters stood out as clear favourites. Draculass, Kid Kong, X-Ray Specs, Gums and Creature Teacher were among those praised the most. Many readers expressed their admiration for Frankie. His poster in issue 20 was very well received but one common problem seemed to be that Moms weren’t so thrilled about it and wanted it off their kids’ bedroom walls. Some fans asked Frankie about his bolts – did they ever get rusty, did they hurt, would he lose his head without them, etc. They were sorry Frankie had to put up with the bolts and someone even wanted to send him a screwdriver but couldn’t afford it. There were loads of personal questions: someone asked about Frankie’s birthday. Prof. Cube replied it was February 16th, so fans might wish to note the date in their calendars because coming from the creator himself it must official!

One problem that seemed to bother kids in their letters to Leonard Rottingsocks was his smelly feet – he got a few pieces of advice how to deal with the issue but the BBB office boy couldn’t be bothered or was too daft to take them: he said he would happily use talc powder if only he could find one with a cheesy flavour; he also said he tried putting on a new pair of socks every day but complained that after one week his feet wouldn’t fit inside his shoes.

Quite a few readers wrote in to tell Frankie how they persuaded their friends to buy MFC. The Honorary Editor told them that every kid who recruited more readers for MFC was automatically made Honorary Monster Mate.

Many kids wrote in to share their ‘funny’ mishaps – such as landing in a puddle, spilling ketchup or losing a shoe while kicking a ball. I find it quite surprising such letters were printed – perhaps there wasn’t so much of fan mail to choose from after all? Every letter attracted a prize of one pound, and some fans went the extra mile to make sure they got it: one clever boy wrote in to tell he was held captive and needed the money to pay his ransom. Another claimed he was an alien from planet Scaro who needed Earth money to buy MFC with.  Yet another ingenious reader used his hypnotist’s skills to hypnotise Frankie into sending him the quid. One more ‘correspondent’ said he was captured by a mad professor who made him take hate potion, so the kid now hated MFC. He needed the money to bribe the professor so that he would release him and he could enjoy MFC again. Fans also demonstrated their creativeness by proposing new story ideas. I liked the one suggesting they introduced DraculadDraculass’ fellow character who was born underground with a stake in him. There were other grim story ideas too, such as Midnight in the Cemetery and Midnight in the Haunted House.

Those of you who followed my blogposts on COR!! may remember how readers got obsessed with counting things in the comic and sharing their findings in their letters. In 1976 the counting mania also swept through MFC’s Letters to Frankie, albeit to a lesser degree. They counted all kinds of things in one issue – eyes and legs, teeth, boots, different types of hats, yuks and hehs, etc. One reader counted the number of possible combinations of the cards given away in MFC Nos. 52 to 55 (12,144 – this sounds unbelievably high but I won’t bother checking), and another one counted the sum of prize money given away (£38 in No. 39 and £53 in No. 46).


Letters to Frankie page was sometimes used for important notices, such as this one in issue 64 (28th August, 1976):


It was the second price increase for MFC in 1976 and quite possibly one of the reasons why the paper folded later that year. It coincided with the price increase of WHOOPEE! and BUSTER (possibly also Whizzer and Chips, but as I said earlier, I don’t have copies to check). The crucial difference, however, was that the price of those two increased from 6p to 7p, whereas for MFC the increase was from 7p to 8p. The cover price of WHOOPEE!, BUSTER and WHIZZER AND CHIPS became 8p ten months later starting from the issues dated 16th July, 1977 so this special price policy with regard to MFC is quite puzzling, don’t you think?

The last point I’d like to mention in this overview of fan mail is the eagerness of many readers to find out if a Monster Fun Annual was in the making. Sure enough, the book was produced and became available in shops across the country while the weekly was still up and running (an advert of MF Annual 1977 first appeared in MFC No. 66 (11th September, 1976)). In 1976 IPC also produced its second MFC Summer Special which turned out to be the last. Both the Annual and the Special will be covered here in detail later this year. 


The imminent 'important news inside' issue had the cover-date of 30th October, 1976 and starting from 6th November, 1976 Monster Fun Comic was merged into Buster. The centre-spread in issue 73 (30th October, 1976) was the last pull-out, although I am not sure many readers used it as a poster. IPC always made it sound as if it was great news but I doubt if many kids saw it that way…


This is how BUSTER welcomed refugees from MFC on the front page of the first combined number:



The page above shows how BUSTER advertised the arrival of new characters a week before the merger. Here is how long they continued:

Martha’s Monster Make-Up ended on 12th February 1977
Teddy Scare ended on 10th December 1977
Draculassended on 10th December 1977
Terror TV ended on 18th February 1978
Kid Kong ended on 30th January 1982
Gumsended on 12th May 1984
Mummy’s Boy ended on 12th September 1987
X-Ray Specs– lived to the last issue of BUSTER (by which time it was most certainly reprints)

The comic with the combined name of Buster and Monster Fun continued for nearly three years until 25th August, 1979. This, however wasn’t the end of Monster Fun: MF Annuals lasted until 1985 and BUSTER MONSTER FUN Summer Specials continued even longer – the last one I am aware of came out in 1995! BUSTER MF summer specials were produced in parallel with buster summer specials, in other words, there were two Buster specials every Summer between 1977 and 1995. 

FRANKIE STEIN: HONORARY EDITOR OF MONSTER FUN COMIC

$
0
0


In case you didn’t know, in the mid-70s Frankie Stein was the big star in WHOOPEE! - another IPC comic of the time. Originally from WHAM! comic of the mid-60s, the character was revived in the short-lived but excellent SHIVER AND SHAKE and found himself in WHOOPEE! when the two titles were merged in 1974. I wrote a couple of detailed blogposts on Frankie Stein in my SHIVER AND SHAKE series, you can revisit them HERE and HERE.

When preparations to launch MFC took off in 1975, Frankie Stein was at the pinnacle of his stardom so IPC editorial staff probably decided he had become too big for just one comic and came up with an idea to capitalise on his fame by nominating him ‘honorary editor’ of their new paper with horror comedy as the main theme.

Frankie Stein made his editorial debut on page two of the first issue of MFC, welcoming his fans with a special message. The drawing was by Robert Nixon, who was in charge of the character in Whoopee! A cropped version of this drawing was later reused a few times in Frankie Stein’s editorials and elsewhere, as you will see later on in this post. Speaking of Frankie Stein’s messages, they were a regular feature throughout 1975 and ran nearly every week until issue 22 (8th November, 1975). After that they disappeared until the Holiday Season of 1975 and can be found in issues 28 and 29 (20th and 27th December, 1975). The last one ever was in the second issue of 1976 (No. 31). The messages were Frankie Stein’s rostrum for promoting various fun features in the current or the next week’s issue. Starting from issue 4 they usually appeared on Frankie’s Diary page and sometimes included a ‘Frankie-type joke’. Here are some examples:


Being the big star that he was, Frankie Stein made front cover appearances in issues 9, 29 and 48:




There were also instances when his mug was in the top right corner of the front page beside MFC logo, bellowing special messages such as these:


…but not necessarily:


Frankie Stein appeared on several pull-outs: he received his own poster in issue 20 and was the dominant figure in Frankie’s Monster Mountainpull-out game (No. 29) and Monster Fun Easter Eggrace Easter pull-out game (No. 46). Frankie’s pull-out Book of Monster Gags in No. 49 carried his name on the front cover but otherwise had nothing to do with him. Frankie Stein was also one of the characters whose cut-out badge was offered in issue 22.

Let’s take a look inside the paper and see how the Honorary Editor was represented there.

Frankie had two strips of his own in MFC – Freaky Frankie and Frankie’s Diary, both ran concurrently and were illustrated by Sid Burgon. Freaky Frankie was a simple newspaper-type strip without speech balloons, usually consisting of three panels. Check out some examples below. The strip first appeared in issue 14 and continued regularly until issue 42 (27th March, 1976). Later on it appeared only occasionally and the last one can be found in No.  71 (16th October, 1976).



Frankie’ Diary was more interesting. It started in MFC No. 2 under the headline Frankie’s Own Freaky Fun Page, then continued without a headline until issue 12 (the space at the top of the page was usually occupied by Frankie Stein’s messages; in issue 7 the page was headlined Frankie’s Page and the headline Frankie’s Diary was first used in No. 8, only to be dropped again a week later). It then took a break until No. 20 and from that issue till the end of the run the page came to be known as Frankie’s Diary. The episode in issue No. 20 is also notable because it was the only one drawn by Robert Nixon. Here is the first set from MFC No. 2 and Bob Nixon’s set from No. 20:



The title of the strip tells it all, really – it was a diary written by the friendly monster himself, telling readers about his misdaventures during the week. It was different from Frankie’s antics in WHOOPEE! because in MFC there was less of Prof. Cube so he didn’t have to suffer as much as he did in the other comic. In Frankie’s Diarymost of the humour was at Frankie’s own expense. 

In a few early episodes Frankie’s week consisted of seven days:


… but normally he wrote his diary five days a week:  


…unless special circumstances dictated that it had to be cut to four or three days only:


Later on, six days became standard. No explanation for the exclusion of Sunday was offered, perhaps it was Frankie’s day off… Most likely though it was because pages looked less cluttered with only six entries of the diary:


There were two participation features involving the Honorary Editor. Letters of Frankie was a regular feature throughout the run of the paper. I won’t go into details because the letters column has already been covered in the yearly overviews HERE and HERE

The other one went by the headline Ticklish Allsorts and had little to do with Frankie Stein, except that he was the presenter and the feature always carried his portrait in the corner (in fact, the portrait was a cropped version of the same old drawing by Rob Nixon first used in Frankie’s editorial in MFC No. 1). Readers were invited to contribute “something amusing” and collect the award of a pound for every entry printed. Each week editorial staff would deliver an assortment of those amusing reader contributions to Les Barton who’d produce detailed sets that IMHO are a treat to the eye. They were usually half-a-page long but sometimes Les Barton did a full page. Here are some examples. Aren’t they brilliant!


Ticklish Allsorts was introduced in issue 23 and lasted until the end of the paper, missing a few weeks in between (34, 48, 52, 55, 56, 62, 64, 65, 68 and 72).

In order for this account of Frankie Stein’s appearances in MFC weeklies to be complete, I will also mention Frankie’s Fun Feature– a spot-the-difference kind of puzzle in issue 9; another one like this can be found in issue 19.


And finally, Frankie Stein also featured in a number of IPC in-house advertisements promoting summer specials (Shiver and Shake Summer Special in Nos. 2 and 3, Frankie Stein Summer Special in No. 54), annuals (Whoopee! Book of Frankie Stein in Nos. 16 and 19, Monster Fun Annual 1977 in Nos. 66 and 69) and other comics (Whoopee! in Nos. 35 and 38). Here are a couple of examples:


It remains to be checked, but I have a feeling that the Honorary Editor sometimes made the odd guest appearance in other strips of the paper, such as in Draculassin No. 51:


And now, on with reviews of individual strips and Kid Kong is first in line!

A LOOK AT MONSTER FUN STRIPS: KID KONG

$
0
0


As we know from the introductory three-pager, Kid Kong was ‘the biggest gorilla in the World and son of the famous King Kong’. He was an exhibit and an attraction of a travelling fun fair. Tired of being mistreated and called names, Kid Kong broke free, barged into a department store, donned a special outsize school uniform (a jacket and a cap but no pants) and went to wander the town. He soon found himself in the front yard of Granny Smith – an elderly lady who’d lived alone since her boy went to sea. The old but energetic lady was short sighted and hard of hearing, so she took the giant ape for an overgrown boy and did not hesitate to offer him shelter, food and protection. The law and the fun-fair manager stood no chance against the agile Granny. Here is the first episode in full. Kid Kong’s banana-addiction was obvious from the very start:



There were several recurring ‘supporting’ characters in the early episodes; they were Miss Peabody the snooping neighbour, Mr. Snodgrass the man from the Council, Spike the trouble-making kid from the neighbourhood whom Granny considered a bad influence on her ‘boy’, and Doctor Payne who taught Kid Kong to peel his ‘nanas in order to avoid stomach problems. The primary storyline, however, was focused on Kid and Granny Smith. Kid Kong was a brute and a glutton who didn’t know his own strength, so in this regard he was like Frankie Stein. Differently from Frankie, Kid was fully aware he was unlike people around him. He was quick to realise when he did wrong and admit his guilt. His dietary focus was solely on bananas. Unlike Prof. Cube, Granny Smith was a loving grand-mother who took very good care of her adopted ‘child’ and was very protective of him – townsfolk soon realised they should think twice before calling Kid Kong a gorilla or any such name in Granny Smith’s presence. She didn't seem to be bothered with the thoughtless destruction that Kid Kong wrought regularly on her cottage, and she would always be prepared to go the extra mile to supply Kid with ‘nanas or keep him happy and satisfied.


In the early episodes comedy derived from Gran’s short-sightedness, Kid’s size and strength, his silliness or his attitude to humans. The latter episodes were quite funny in a clever way and I’ll return to them later on. From the very start, however, there was hardly an episode where bananas weren’t mentioned in one way or another.


As weeks went by, Kid’s appetite for ‘nanas increasingly became the recurrent theme and the most common source of comedy. Usually, weekly instalments told about Kid’s and/or Granny’s efforts to get hold of some of the favourite food; a number of stories didn’t have the quest for bananas as the main line but they still ended with Kid or Granny receiving a prize or reward in the form of the fruit. The writers must have realised that overexploiting the banana theme was a sure way to make the strip boring and repetitive, so it’s good they spiced it up by giving the theme an occasional weird twist (for example, in issue 23 Kid Kong visited a psychologist for an intelligence test, and in issue 56 Granny decided to cure Kid Kong’s banana addiction and made him join Bananas Anonymous), changing the setting (for example, in issue 63 the two took a trip to London and in issue 72 they went on an expedition to the Himalayas to visit Kid Kong’s cousin – Abominable Snowman), or using some fresh ideas from time to time, such as in this episode from issue 64:


If you sit down to read all Kid Kong strips in one go like I did when preparing to write this post, one of the things you are bound to notice is a certain inconsistency in the way Kid speaks. There are episodes where he barely utters a word and restricts himself to grunting and pantomime; in the majority of the episodes he uses a kind of pidgin-English, uttering short phrases such as ‘Kid hungry’ or ‘me hungry’ rather than ‘I am hungry’; in a few episodes, though, he is fluent and well-expressed. Check out an example that happens to be one of the clever episodes mentioned earlier.


There was one episode where Kid shared his thoughts on human language:


Kid Kong didn’t miss a single issue. He was obviously intended to become THE star of Monster Fun Comic, so initially Kid Kong was the first strip you’d find upon opening the paper. Starting from No. 35 it was moved further inside and was given a more-or-less regular slot on pages 8 and 9.  All but 4 episodes were two pages long (the three-pagers were in Nos. 1, 13, 18 and 32). The three-pager in No. 13 is quite peculiar because the first few panels contained a brief summary of the very first episode. My guess is that it may have been drawn for MF Annual 1976 before the plans to publish one were abandoned. Here it is in full:



As was often the case in UK children’s comics, characters from other MFC strips made the odd guest appearance in Kid Kong. In issue 38 Brainy and his Monster Maker saved Kid from starvation when supplies of bananas were halted due to a dock strike in Jamaica:


… and in issue 45 X-Ray Specs helped Kid make amends for the damage he caused at the garden fete:


Frankie Stein sneaked in his comment in the last panel of the set in issue 34 (in that episode Kid Kong repelled an alien attack on Earth):


In episode 33 Granny wanted to teach Kid not to be greedy and told him to share his bananas with others. The episode is quite unique because although it wasn’t unusual for artists to sign their sets or even include their self-portraits, it is the only instance that I can recall when a character addressed his creator by name:


Robert Nixon was the regular artist of Kid Kong throughout the run of MFC, except towards the very end when he was briefly substituted by Les Barton (in issues 68 and 70) and Jim Watson in No. 69. Both signed their sets. Jim Watson tried to imitate Mr. Nixon’s style:


…while Les Barton didn’t bother:


… OK, maybe just a little bit:


In his interview for the Winter 1981 edition of Golden Fun Mr. Nixon said that Kid Kong was one of the characters he designed. He recalls that Bob Paynter telephoned him with an idea of what he wanted to see. Mr. Nixon did preliminary drawings and sent them off to him for approval. The artist recalls doing Kid Kong a bit too big at first and later toning him down. His vision of Kid and Granny was the one that was always used. When speaking about his favourite characters, Mr. Nixon said he’d put Kid Kongvirtually on equal par withFrankie Stein which was his all-time favourite (as of the time of the interview in the early eighties).

Being the big star of the comic, Kid Kong made several front cover appearances (issues 1, 4, 7, 13, 18, 21 and 29). Here are a couple of examples; you can find more in my yearly overviews of the comic HERE and HERE:


Kid Kong got as many as two pull-out posters (in issues 8 and 57 – you can see both in my yearly reviews of MFC in the earlier posts). He was also selected to promote a competition in issue 31 (someone boobed there by naming him King Kong rather than Kid Kong...):


Kid Kong easily survived merger with BUSTER in 1976 and continued there for another five years until 30th January 1982. He was also a regular character in all Monster Fun Annuals so expect to hear more of him when I take a look at them in due course.

The MFC run of Kid Kong had many excellent sets, I have shown quite a few and mentioned many more in this article. If you’d like to see a particular one out of those mentioned or perhaps one you remember from the days when you were reading the comic, let me know and I will put it up in my next post.


A LOOK AT MONSTER FUN STRIPS: X-RAY SPECS

$
0
0


Ray was as an ordinary boy until a mystery optician (I.Squint) gave him a pair of specs with x-ray vision. From then on he became one of those kids with gimmicks that were so common in IPC comics. The specs were quite a peculiar piece of eyewear – they enabled Ray to see through things – humans, walls, ground, bushes – everything. The specs also worked in reverse: 



… they worked fine even when covered with paint: 


… they granted x-ray vision to anyone who put them on, including animals: 


… and this is what happened if you put them on a camera lens in a TV studio during a live broadcast: 


His magical specs gave Ray the advantage of being able to warn people of looming dangers, help them find lost things, see hidden passages and tunnels, etc. Quite often he put his x-ray vision to good use by helping catch crooks and robbers, expose cheats and teach bullies a lesson. On a few rare occasions he himself was seen cheating or trying to use the x-ray vision for his own ends but his efforts usually backfired.

At first other people didn’t realize Ray had this special talent but soon it became common knowledge among his friends and family. Friends sometimes hated him because the specs made him such a know-all; at the same time, wearing them was quite taxing: x-ray vision could be tiring at times and wouldn’t go away even if Ray took his specs off :


Wearing the specs could also be rather stressful for those who weren’t used to them. The episode below is from issue No. 62:


Monster Fun COMIC was a ‘horror’ paper, so each strip was supposed to have a scary element in it.  In X-Ray Specs it was the skeletons that Ray (and the readers) could see courtesy of x-ray vision. There were two or three nice episodes with real spooks; here is one from issue 57:


Speaking of skeletons, in the episode in MFC No. 7 Ray found a free shaking skeleton in a packet of cornflakes. A similar freebie was offered with the third issue of MFC and from the look of it in the drawing below, the two were exactly the same. It would be interesting to know if a free skeleton was indeed offered by some cornflakes manufacturer at that time.

Free gift offered with MFC No. 3

Free shaking skeleton from a package of cornflakes as seen in MFC No. 7

X-Ray Specs first appeared in MONSTER FUN COMIC No. 1. The strip didn’t miss a single week during the 73-week run of MFC and survived merger with BUSTER where it lasted till the final issue of the comic and nearly made it to the 21st century! The vast majority of the 73 episodes in MFC were illustrated by Mike Lacey; Terry Bave contributed three sets in issues 11, 12 and 13, and five episodes in issues 37 to 41 were drawn by an artist whose name I don’t know. The first episode was only one page long, but starting from MFC No. 2 the strip was given 1 ½ pages and a more-or-less permanent slot on pages 8 – 9 and later 10 – 11. X-Ray Specs must have done very well in the popularity charts because starting from issue 33 it became a two-pager and was moved forward to pages 4 – 5. X-Ray Specs made four front cover appearances in issues 3, 6, 15 and 20. Here is an example:


Incidentally, the idea of Ray scanning through the insides of a comic was re-used in the strip two weeks later (in issue No. 8) when Ray used x-ray vision to read MFC without buying it and Frankie (in his capacity of the Honorary Editor) wasn’t so thrilled about it…


I will finish this post with a complete episode from issue No. 55 which I find rather funny:



A LOOK AT MONSTER FUN STRIPS: MARTHA’S MONSTER MAKE-UP

$
0
0


It appears that creators of Monster Fun Comic wanted as many as possible of their strips and features to have titles starting with the letter ‘M’ (to go with the title of the comic and the monster theme in general). It may be just a coincidence but IMHO Martha’s Monster Make-Up, March of the Mighty Ones, Major Jump, Brainy and his Monster Maker, Master Ugly Mug and Miss Funny Face, not to mention Monster Hits and Invisible Monster, make a lot of M’s for a comic with a relatively small number of strips.

Martha’s Monster Make-up was a strip about a girl whose Dad was a caretaker at Mallet Horror Films Studios. He gave her a jar of make-up that he found sweeping one of the dressing rooms. Martha soon realised it was a special “monster” make-up that transformed people’s faces, hair and limbs into something monstrous. Luckily, the effect of the make-up was only temporary and didn’t take long to wear-off. The illustrator of the strip was the excellent Ken Reid who was also drawing Faceache in Buster at the same time. Initially Martha’s face –pulling antics were a lot like Faceache’s in the sister publication. Differently from Faceache whose ‘scrunging’ didn't go beyond his own face and body, Martha’s cream worked on other people too.


Whoever was the writer of Martha’s Monster Make-up, he soon realised that the two features were becoming very similar so he left humans alone and gave the strip a new twist by focusing on objects. A few weeks into the run Martha started using her cream to ‘monstrify’ all kinds of things, including a sculpture, a bicycle, a X-mas tree, a brick wall, a car, an umbrella, a mirror, a piano, a grandfather clock – the list goes on and on. Some of the weirder things she transformed included wallpaper, scaffolding, golf course green and even a sea wave. The reason she did this was to teach meanies and bullies a lesson and have some fun at their expense. Drawing those sour-faced unpleasant types with a bad attitude was one of Ken Reid’s specialties so it was good for Martha that her small jar contained a never-ending supply of the cream. 


Martha’s Monster Make-up started in the first issue and didn’t miss a single week. As I mentioned it before, the illustrator was Ken Reid (who is known to have disliked drawing female characters). Frank McDiarmid stepped in on three occasions in issues 26, 30 and 62, and the episode in No. 15 was drawn by a ghost artist whose name I don’t know but he also substituted Mr. Reid on Faceache in Buster a few times around the same time. The strip was a one-pager and had a prime slot on page 4 and later page 6.


Surprisingly, Martha’s Monster Make-up survived merger with BUSTER. I say surprisingly not because it was a poor strip but because the transfer was at the expense of Faceachethat IMHO was better, but was rested nontheless starting from the first combined issue of BUSTER AND MONSTER FUN. Martha’s Monster Make-up continued in the combined paper for nearly 4 months but justice was restored starting from issue dated Feb. 19th, 1977 when Faceache returned by popular demand (as confirmed by the caption under the last epiasode of Martha's Monster Make-up the week before).
Viewing all 359 articles
Browse latest View live